‘I’ve enjoyed every single bit of it – every interview, every person has been a sheer gem,’ Jean Graham told us at the celebration that marked the end of the oral history project, Remembering the Solway. ‘And how marvellous it is that all these people are gathered here enjoying a few hours of reminiscing – and it isn’t a funeral!’
Naomi, currently Assistant Manager of the Solway Coast AONB and former Manager of the SWLP, has overseen the project since its inception about three years ago; Remembering the Solway has been one of the 29 schemes in the Solway Wetland Landscape Partnership’s four-year HLF-funded project.
‘We wanted to capture the memories of people who have lived and worked on the Solway Plain,’ Naomi Hewitt said. ‘The idea came from Sarah Hodgson of Drumburgh Farm – she waylaid me with the idea, and she persisted, she didn’t give up! Jean Graham was another great advocate for the idea.’
The unusual land- and sea-scape of this small corner of England that is tucked in next to the Solway Firth and the border with Scotland was sure to have imprinted unusual stories in the minds of those people who have lived here, in some cases for as long as 90 years.
So, more than three years ago, there was a meeting in the Methodist Chapel at Port Carlisle to make plans and, Naomi said, “We knew we had the foundations of a good project.”
They brought in Susan Child from Creative Horizons, an expert in oral and community history, and she trained the nine volunteers in how to gather oral history, how to do the recordings – and, importantly, in the ethics of carrying out recordings.
As Sarah Hodgson said at one of the planning meetings at the Chapel, “Interviewees need security, they need to know we’re not going to be rummaging through their belongings. Many of them are in their eighties or nineties and we tiptoe round until we get the opportunity to record them, we can’t just plough in.”
There is so much information, so many memories, to gather and preserve. Naomi explained, at the celebration, “We knew we were time-limited, so we decided to concentrate on on the central and North areas of the Solway Plain, from Kirkbride up to Burgh and down to Cardurnock. And being able to use the chapel was great – it’s such a great community and historical asset.”
I went to a couple of the planning and update meetings in the little white-washed room at the chapel, and ideas were flowing fast as to which topics needed still to be covered, who could be contacted and, hopefully, interviewed. There was a buzz of laughter and chatter over the coffee and biscuits. “The group had a huge amount of energy,” Naomi said.
Which of the many topics should they choose? Farming, peat-cutters, ferrymen, the WRENs who came in the War, the Anthorn Camp, the Shooting Range at Burgh, turf-cutting for (it was said) Wembley, the people who were in service, the Home Guard …?
The list was finally narrowed down to farming; the railways; peat-cutting; fishing; growing up; and the Solway itself.
The group held frequent Open Days throughout the two years so that everyone interested could come and meet their friends and hear how the project was developing. I went along on a mid-June afternoon in 2016. There were about twenty people crammed into the tiny room, as well as the recording volunteers. Cake and cups of tea were being handed out, and around the room were boards and tables with photos, scrap books, letters and several transcripts of recorded interviews; people were poring over them, exclaiming, pointing out friends or acquaintances in the photos, this sometimes leading on to suggestions for further interviewees. Susan Child was sitting in the corner feeding letters and photos into a scanner. After a while she put on her head-phones and we all settled down to hear one of the recordings, then Jean Graham, a local writer and poet as well as one of the volunteer interviewers, read three poems based on her interviews and her own experiences.
In the last year the pace has increased: there was the film to be made, the transcripts to write, the recordings to tidy up, the booklet to publish.
And finally, on July 14th 2017, the end of the project was celebrated with a lunch at the White Heather Hotel, Kirkbride. More than 150 people came, and the room – and the lengthy queue for the buffet lunch – was echoing with conversations and laughter. As Jean told me, “Some of these people probably haven’t seen each other in years – they’re not always able to get about, they’ve been isolated on their farms …”
Tables around the room were piled with memorabilia such as farm implements, peat-cutting tools, kitchen equipment and school-books.
(For more stories about peat-cutting on the Solway Mosses, the tools and techniques, see Ask the fellows who cut the peats.)
The celebration also included a showing of the film, made by Tony Wilkinson of Red Onion Video, and the ‘launch’ of the free booklet that includes extracts from some of the interviews.
In all, there have been 46 recorded interviews, involving 53 people (some of whom were unable to do a final recording through ill-health). Each person who had been recorded received a CD of their own interview to hand down to their families, and the written transcripts will be given to the Cumbria Archives at Carlisle.
‘It was an agonising task to choose clips for the film and for the book,’ Naomi said. ‘They’re very much tasters of the wider archive. And we know the archive will be preserved for generations, though the book and CD will have a shorter life.’
There were hints that future funding may be secured to continue the project: after all, there are still several important topics that have not been recorded, like hound-trailing, ferries, ‘HMS Nuthatch’ and so much more!
We all have stories to tell, some may be dull and repetitious but others are important in reminding us of how our attitudes have changed, and how we have changed the world around us. Many of us will be wishing, far too late, that we had encouraged our own parents to record their memories in some way. Even though aural recording technologies change, the oral stories can still be captured using the simple technology of pen and paper.
Note: The transcripts will be donated to Carlisle Archive Centre by the end of 2017.
Susan Child talks about the delivery of the Remembering the Solway project, at the Solway Heritage Conference, Burgh-by-Sands 2017
‘Remembering the Solway’: the film, starring David Hume (peat-cutting on the Moss), Margaret Sharples (railways on the peat-moss), Geoff Hodgson (bird-nesting), Daphne Hogg (swimming at Port Carlisle), Allen Hodgson (farming and milking), Jean Graham (playing on the peat-moss)